Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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OOST, Jacob van, the Younger
St Macaire of Ghent Tending the Plague-Stricken (mk05)

ID: 20618

OOST, Jacob van, the Younger St Macaire of Ghent Tending the Plague-Stricken (mk05)
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OOST, Jacob van, the Younger St Macaire of Ghent Tending the Plague-Stricken (mk05)


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OOST, Jacob van, the Younger

Flemish painter (b. 1639, Brugge, d. 1713, Brugge)  Related Paintings of OOST, Jacob van, the Younger :. | Building the Great Mosque of Samarkand | View of Dordrecht from the Oude Maas sdg | View of Roofs and Gardens | Viktor Rydberg | gammal bane i praktdrakt |
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Francis Bacon
English , 1561-1626 British statesman and philosopher, father of modern scientific method. He studied at Cambridge and at Gray's Inn. A supporter of the Earl of Essex, Bacon turned against him when Essex was tried for treason. Under James I he rose steadily, becoming successively solicitor general (1607), attorney general (1613), and lord chancellor (1618). Convicted of accepting bribes from those being tried in his court, he was briefly imprisoned and permanently lost his public offices; he died deeply in debt. He attempted to put natural science on a firm empirical foundation in the Novum Organum (1620), which sets forth his scientific method. His elaborate classification of the sciences inspired the 18th-century French Encyclopedists, and his empiricism inspired 19th-century British philosophers of science. His other works include The Advancement of Learning (1605),
Charles Meurer
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GRECO, El
Greek-born Spanish Mannerist Painter, 1541-1614 Greek painter, designer and engraver, active in Italy and Spain. One of the most original and interesting painters of 16th-century Europe, he transformed the Byzantine style of his early paintings into another, wholly Western manner. He was active in his native Crete, in Venice and Rome, and, during the second half of his life, in Toledo. He was renowned in his lifetime for his originality and extravagance and provides one of the most curious examples of the oscillations of taste in the evaluation of a painter,






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